Monstrances
date back to mediaeval times. They were used as receptacles in
which sacred relics were held up to view. After the 14th century,
however, the term was restricted to the shrine in which the consecrated
Host was exhibited.
The earliest monstrances followed the usual shape of reliquaries
of the time - cylindrical crystal case mounted in richly decorated
metal frames. Some were turret-shaped (e.g. a 15th century example
in the Victoria and Albert Museum, London).
It was not until the 16th century that the present type was adopted
which consists of a circular disc of glass or crystal to contain
the sacred Host mounted in a frame of metal rays and supported
by a metal stem and base often richly decorated.
The exposition of the Host dates from the institution of the Festival
of Corpus Christi by Pope Urban IV in 1264. In the exposition
and procession which are now the main features of the Festival
the monstrance is used to expose the Host and similarly used in
Benediction.
There are no examples of pre-Reformation English-made monstrances
in existence.
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